Synopsis 1
At this time, techniques and
tool available to voice scientist are improving. This research has developed in
to three main streams: acoustic studies such as laryngeal vibration efficiency
and vocal tract resonance, clinical medical studies. Singing is a whole
body/mind and energy field endeavor and we must begin to look to many more
diverse areas of research that will aid in the quest for vocal excellence and
performing in the public arena.
As more comprehensive
approaches to teaching and research on singing evolve we need to explore
questions relating to the dynamic muscular balances needed throughout the body
for singing. These include: how balance or lack of balance affect the
functioning of the laryne, pharynx, jaw, diaphragm, etc.; and the natural and
spontaneous reflex actions of the body that produce the easiest, most beautiful
sounds.
Observation and Thinking
The study of the
biomechanics of the the body during singing has been largely ignored, compared
to the huge amount of research, training, and equipment devoted to biomechanics
by coaches and trainer of athletes. Energy work are providing great improvement
for many performers, and yet little has been done to document their effects on
singing. Simple exercises and muscles testing to help balance the right and
left sides of the brain.
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